PURCHASE is a multipart musical history project, presenting music connected to the Louisiana Purchase, 1763-1863.  The musical sources include music from the United States, France, Haiti and Mexico.  The US music is African American and Native American, though all sources are not in every part of the project. 

The six thematic parts of PURCHASE are:

         Strife

         Exile

         Hiding

This presentation will be the Hiding portion of the project.

PURCHASE: Hiding is a performance of African American spirituals, Baroque and Classical vocal music from England and France, and traditional songs from Spain, France and Haiti. These songs are presented alongside a historical narrative in a dramatic context.  Rhetorical and musical themes of power, enslavement, parental love and the search for freedom are woven throughout PURCHASE.

The history of what is called “Early Music” has centered on the music of Western Europe. In the United States, the traditions of Africans, Native Americans and Euro Americans were occurring side by side. This often-overlooked simultaneity can be viewed, crisscrossing the geographical outlines of the Louisiana Purchase. The Purchase is the huge tract of land sold to Jefferson and the United States in 1803 by Napoleon and France. 

An opera, Proserpine, by Napoleon’s chapel master, Giovanni Paisiello, premiered in the same year as the Louisiana Purchase.  Music from the opera will be juxtaposed with Spirituals and other traditional songs to give voice to everyday people–enslaved Africans, Native Americans, and European immigrants–who forged a new country.

PURCHASE is a multipart musical history project, presenting music connected to the Louisiana Purchase, 1763-1863.  The musical sources include music from the United States, France, Haiti and Mexico.  The US music is African American and Native American, though all sources are not in every part of the project. 

The six thematic parts of PURCHASE are:

         Strife

         Exile

         Hiding

This presentation will be the Hiding portion of the project.

PURCHASE: Hiding is a performance of African American spirituals, Baroque and Classical vocal music from England and France, and traditional songs from Spain, France and Haiti. These songs are presented alongside a historical narrative in a dramatic context.  Rhetorical and musical themes of power, enslavement, parental love and the search for freedom are woven throughout PURCHASE.

The history of what is called “Early Music” has centered on the music of Western Europe. In the United States, the traditions of Africans, Native Americans and Euro Americans were occurring side by side. This often-overlooked simultaneity can be viewed, crisscrossing the geographical outlines of the Louisiana Purchase. The Purchase is the huge tract of land sold to Jefferson and the United States in 1803 by Napoleon and France. 

An opera, Proserpine, by Napoleon’s chapel master, Giovanni Paisiello, premiered in the same year as the Louisiana Purchase.  Music from the opera will be juxtaposed with Spirituals and other traditional songs to give voice to everyday people–enslaved Africans, Native Americans, and European immigrants–who forged a new country.

PURCHASE is a multipart musical history project, presenting music connected to the Louisiana Purchase, 1763-1863.  The musical sources include music from the United States, France, Haiti and Mexico.  The US music is African American and Native American, though all sources are not in every part of the project. 

The six thematic parts of PURCHASE are:

         Strife

         Exile

         Hiding

This presentation will be the Hiding portion of the project.

PURCHASE: Hiding is a performance of African American spirituals, Baroque and Classical vocal music from England and France, and traditional songs from Spain, France and Haiti. These songs are presented alongside a historical narrative in a dramatic context.  Rhetorical and musical themes of power, enslavement, parental love and the search for freedom are woven throughout PURCHASE.

The history of what is called “Early Music” has centered on the music of Western Europe. In the United States, the traditions of Africans, Native Americans and Euro Americans were occurring side by side. This often-overlooked simultaneity can be viewed, crisscrossing the geographical outlines of the Louisiana Purchase. The Purchase is the huge tract of land sold to Jefferson and the United States in 1803 by Napoleon and France. 

An opera, Proserpine, by Napoleon’s chapel master, Giovanni Paisiello, premiered in the same year as the Louisiana Purchase.  Music from the opera will be juxtaposed with Spirituals and other traditional songs to give voice to everyday people–enslaved Africans, Native Americans, and European immigrants–who forged a new country.

PURCHASE is a multipart musical history project, presenting music connected to the Louisiana Purchase, 1763-1863.  The musical sources include music from the United States, France, Haiti and Mexico.  The US music is African American and Native American, though all sources are not in every part of the project. 

The six thematic parts of PURCHASE are:

         Strife

         Exile

         Hiding

This presentation will be the Hiding portion of the project.

PURCHASE: Hiding is a performance of African American spirituals, Baroque and Classical vocal music from England and France, and traditional songs from Spain, France and Haiti. These songs are presented alongside a historical narrative in a dramatic context.  Rhetorical and musical themes of power, enslavement, parental love and the search for freedom are woven throughout PURCHASE.

The history of what is called “Early Music” has centered on the music of Western Europe. In the United States, the traditions of Africans, Native Americans and Euro Americans were occurring side by side. This often-overlooked simultaneity can be viewed, crisscrossing the geographical outlines of the Louisiana Purchase. The Purchase is the huge tract of land sold to Jefferson and the United States in 1803 by Napoleon and France. 

An opera, Proserpine, by Napoleon’s chapel master, Giovanni Paisiello, premiered in the same year as the Louisiana Purchase.  Music from the opera will be juxtaposed with Spirituals and other traditional songs to give voice to everyday people–enslaved Africans, Native Americans, and European immigrants–who forged a new country.

Alto soloist in Stabat Mater, RV 621 by Antonio Vivaldi with UND Chamber Orchestra.

Concert Choir, Varsity Bards, Goliards, and Enöxa

Dean Jilek, director

“He Was Despised” from Messiah by George Frideric Handel

Justin Montigne, countertenor | Anne Marques-Catarin, piano

More info and livestream here

UND SNATS presents "American Songbook: the Music of Harold Arlen," at the new UND Memorial Union, Rm 220 (small ballroom) on Tuesday, February 14, 2023, at 7:30pm.

Audiences will be serenaded by the work of Harold Arlen, one of the most well-loved composers of American popular music. “Our past shows have sold-out. The audience has such a great time singing along, too,” says Dr. Anne Christopherson, Associate Professor of Voice and Coordinator of the Voice Area. “Not only do the students learn more about their country’s musical history by exploring the Great American Songbook, they also present a unique and enjoyable experience to our community that has been so supportive of UND Music.”

UND Voice faculty Anne Christopherson and Justin Montigne will lead their students in this musical journey, joined by Michelle Henning at the piano and special vocal guest Ryan King, a UND Music alumnus.

The approximate capacity is 120 people. A dessert table and non-alcoholic beverages are included in the ticket price. $25/general and $6/student.

This unforgettable Valentine’s Day event will conclude with a sing along finale of The Wizard of Oz.

Tickets: https://UND-SNATS-The-Music-of-Harold-Arlen.eventbrite.com

Dynamic Vocal Warmups for the Choral Rehearsal

Dr. Justin Montigne

BBVB (Body, Breath, Voice, Brain); Individual technical growth through group vocalization; Repertoire-focused warmup creation; Setting expectations, group agreements, and building community through group vocalization. **Be prepared to sing!**

NDACDA State Conference | PRESENTATION SLIDES PDF

Setting Up for Success: Managing Practice Habits and Performance Anxiety
Hosted by UND Student Chapter of NAFME

Join UND Music professors Drs. Driscoll, Montigne, and Pfeifer as we discuss ways to establish effect practice habits and navigate performance anxiety.

Hughes Fine Arts Center, Room 258

Grand Forks Master Chorale

Sing-Along Messiah

Alto Soloist

Learn more and get tickets here

After two years away, SFGC returns to Davies Symphony Hall for its annual December concerts showcasing all six levels of the Choral school, as well as the award-winning Premiere Ensemble, and SFGC Alums, in a dynamic program of spirituals, cutting-edge vocal works, and a few familiar holiday favorites, including Silent Night.

As Soloist Intensive Director, Justin Montigne will be in San Francisco for final rehearsals and the performance, leading the Soloists in two spirituals arranged by Florence B. Price and Undine Smith Moore.

Tickets and more info here

Burtness Theatre, Mainstage

Cost: $25 Adults, $10 Students

Carrie is a musical based on the popular cult classic 1976 horror film by the same title. The story is told through the lens of high school student Sue Snell, a witness to Carrie's iconic prom night massacre. As she describes the moments leading up to the school's destruction to the upper echelon of school authorities, students appear as if they are memories and the story unfolds. A variety of students are introduced, including Sue, her boyfriend Tommy, her best friend Chris and her boyfriend Billy who plot the ultimate humiliation of socially stunted Carrie White. Little do they know, beyond being religiously traumatized by her overbearing mother, Carrie is telekinetically gifted. Horror fans rejoice: Carrie is a wild, rock n' roll ride of good versus evil, and devastatingly gory revenge.

281 Centennial Rd, Grand Forks, ND 58202

http://theatre.und.edu #livetheatre

Burtness Theatre, Mainstage

Cost: $25 Adults, $10 Students

Carrie is a musical based on the popular cult classic 1976 horror film by the same title. The story is told through the lens of high school student Sue Snell, a witness to Carrie's iconic prom night massacre. As she describes the moments leading up to the school's destruction to the upper echelon of school authorities, students appear as if they are memories and the story unfolds. A variety of students are introduced, including Sue, her boyfriend Tommy, her best friend Chris and her boyfriend Billy who plot the ultimate humiliation of socially stunted Carrie White. Little do they know, beyond being religiously traumatized by her overbearing mother, Carrie is telekinetically gifted. Horror fans rejoice: Carrie is a wild, rock n' roll ride of good versus evil, and devastatingly gory revenge.

281 Centennial Rd, Grand Forks, ND 58202

http://theatre.und.edu #livetheatre

Burtness Theatre, Mainstage

Cost: $25 Adults, $10 Students

Carrie is a musical based on the popular cult classic 1976 horror film by the same title. The story is told through the lens of high school student Sue Snell, a witness to Carrie's iconic prom night massacre. As she describes the moments leading up to the school's destruction to the upper echelon of school authorities, students appear as if they are memories and the story unfolds. A variety of students are introduced, including Sue, her boyfriend Tommy, her best friend Chris and her boyfriend Billy who plot the ultimate humiliation of socially stunted Carrie White. Little do they know, beyond being religiously traumatized by her overbearing mother, Carrie is telekinetically gifted. Horror fans rejoice: Carrie is a wild, rock n' roll ride of good versus evil, and devastatingly gory revenge.

281 Centennial Rd, Grand Forks, ND 58202

http://theatre.und.edu #livetheatre

Burtness Theatre, Mainstage

Cost: $25 Adults, $10 Students

Carrie is a musical based on the popular cult classic 1976 horror film by the same title. The story is told through the lens of high school student Sue Snell, a witness to Carrie's iconic prom night massacre. As she describes the moments leading up to the school's destruction to the upper echelon of school authorities, students appear as if they are memories and the story unfolds. A variety of students are introduced, including Sue, her boyfriend Tommy, her best friend Chris and her boyfriend Billy who plot the ultimate humiliation of socially stunted Carrie White. Little do they know, beyond being religiously traumatized by her overbearing mother, Carrie is telekinetically gifted. Horror fans rejoice: Carrie is a wild, rock n' roll ride of good versus evil, and devastatingly gory revenge.

281 Centennial Rd, Grand Forks, ND 58202

http://theatre.und.edu #livetheatre

Burtness Theatre, Mainstage

Cost: $25 Adults, $10 Students

Carrie is a musical based on the popular cult classic 1976 horror film by the same title. The story is told through the lens of high school student Sue Snell, a witness to Carrie's iconic prom night massacre. As she describes the moments leading up to the school's destruction to the upper echelon of school authorities, students appear as if they are memories and the story unfolds. A variety of students are introduced, including Sue, her boyfriend Tommy, her best friend Chris and her boyfriend Billy who plot the ultimate humiliation of socially stunted Carrie White. Little do they know, beyond being religiously traumatized by her overbearing mother, Carrie is telekinetically gifted. Horror fans rejoice: Carrie is a wild, rock n' roll ride of good versus evil, and devastatingly gory revenge.

281 Centennial Rd, Grand Forks, ND 58202

http://theatre.und.edu #livetheatre

Burtness Theatre, Mainstage

Cost: $25 Adults, $10 Students

Carrie is a musical based on the popular cult classic 1976 horror film by the same title. The story is told through the lens of high school student Sue Snell, a witness to Carrie's iconic prom night massacre. As she describes the moments leading up to the school's destruction to the upper echelon of school authorities, students appear as if they are memories and the story unfolds. A variety of students are introduced, including Sue, her boyfriend Tommy, her best friend Chris and her boyfriend Billy who plot the ultimate humiliation of socially stunted Carrie White. Little do they know, beyond being religiously traumatized by her overbearing mother, Carrie is telekinetically gifted. Horror fans rejoice: Carrie is a wild, rock n' roll ride of good versus evil, and devastatingly gory revenge.

281 Centennial Rd, Grand Forks, ND 58202

http://theatre.und.edu #livetheatre

Don’t miss raucous pirates, bumbling police, and irrepressible sisters, clashing, chasing, and romancing on the shores of Penzance. A wily major general, a hapless sergeant, and a tempestuous pirate couple fight over an innocent young lad with an unfortunate birthday. Sparkling familiar tunes abound in this modern and gorgeous new production of Gilbert and Sullivan’s masterpiece. 

Lynne Morrow, Music Director | Justin Montigne, Stage Director

February 10th performance will be virtual. Live shows will continue on February 13, 18, 19, and 20th.

Tickets and more info

Don’t miss raucous pirates, bumbling police, and irrepressible sisters, clashing, chasing, and romancing on the shores of Penzance. A wily major general, a hapless sergeant, and a tempestuous pirate couple fight over an innocent young lad with an unfortunate birthday. Sparkling familiar tunes abound in this modern and gorgeous new production of Gilbert and Sullivan’s masterpiece. 

Lynne Morrow, Music Director | Justin Montigne, Stage Director

February 10th performance will be virtual. Live shows will continue on February 13, 18, 19, and 20th.

Tickets and more info

Don’t miss raucous pirates, bumbling police, and irrepressible sisters, clashing, chasing, and romancing on the shores of Penzance. A wily major general, a hapless sergeant, and a tempestuous pirate couple fight over an innocent young lad with an unfortunate birthday. Sparkling familiar tunes abound in this modern and gorgeous new production of Gilbert and Sullivan’s masterpiece. 

Lynne Morrow, Music Director | Justin Montigne, Stage Director

February 10th performance will be virtual. Live shows will continue on February 13, 18, 19, and 20th.

Tickets and more info

Don’t miss raucous pirates, bumbling police, and irrepressible sisters, clashing, chasing, and romancing on the shores of Penzance. A wily major general, a hapless sergeant, and a tempestuous pirate couple fight over an innocent young lad with an unfortunate birthday. Sparkling familiar tunes abound in this modern and gorgeous new production of Gilbert and Sullivan’s masterpiece. 

Lynne Morrow, Music Director | Justin Montigne, Stage Director

February 10th performance will be virtual. Live shows will continue on February 13, 18, 19, and 20th.

Tickets and more info

Don’t miss raucous pirates, bumbling police, and irrepressible sisters, clashing, chasing, and romancing on the shores of Penzance. A wily major general, a hapless sergeant, and a tempestuous pirate couple fight over an innocent young lad with an unfortunate birthday. Sparkling familiar tunes abound in this modern and gorgeous new production of Gilbert and Sullivan’s masterpiece. 

Lynne Morrow, Music Director | Justin Montigne, Stage Director

February 10th performance will be virtual. Live shows will continue on February 13, 18, 19, and 20th.

Tickets and more info

For their final semester performance, the SSU singers will explore their past, their families, and the music that is woven into the fabric of their lives. Reflecting on the source of their identities, singers will choose songs that have deep personal meaning and express them best, both their current selves and as part of their lineage over time. The audience will get to know the performers in an intimate and fascinating way over the course of this evening, and all will reflect on their shared humanity and musical source.

Tickets and more info

Voice majors from Sonoma State will present a concert of the vocal music of the late Leonard Bernstein, composer of such Broadway blockbusters as On The Town and West Side Story and Laureate Conductor of the New York Philharmonic from 1943-1990. Selections will include music from Bernstein’s Musical Theatre and Classical songs.  

Vocal Repertory Class is delighted to appear on the Jewish Music Series singing selections from the vocal music of the great Leonard Bernstein. The singers will perform songs, duets, and scenes from Bernstein’s incredibly varied vocal works, including art songs in French, religious songs in Hebrew, and various styles of music theater. Fans of West Side Story won’t go home disappointed, but everyone will have the chance to hear rarely performed and wonderful music from this complex and fascinating composer. 

Click here for tickets and more info.

PROJECT PAULINE An exploration of the life and work of Pauline Viardot in celebration of her 200th birthday. Music by Viardot, her family, and friends, combined with a virtual production of her last opera, Cendrillon.

Visit http://bit.ly/projectpauline to learn more.

CAST:

Pauline Viardot - Kristina Ibarra, soprano
Maria Malibran - Linda Peng, mezzo-soprano
Manuel Garcia Sr. - Michael Coury Murdock, tenor
Johannes Brahms - Noah Evans, bass-baritone
Gioachino Rossini - Chihiro Fujii, tenor
Louis Viardot - Brayden Simmons Ayala, baritone
Ivan Turgenev - Andrew Cedeño, baritone
Manuel Garcia Jr. - Michael Coury Murdock, tenor
Frédéric Chopin - Noah Evans, bass-baritone
Cendrillon - Abbi Samuels, soprano
The Prince - Annie Kessler, soprano
The Fairy Godmother - Jennifer Silvera, soprano
Maguelonne - Lee Patrick, soprano
Armelinde - Linda Peng, mezzo-soprano
Barigoule - Brian Carrillo, tenor
Baron Pictordu - Liam Daley, baritone
____________________

PROJECT PAULINE ACT I:

Scene A.1: Dialogue - Pauline Viardot and Maria Malibran
Scene A.2 - "Habanera” by Pauline Viardot

"Cendrillon" - Prelude, Act I, Scenes 1-5a

Scene B.1: Dialogue - Gioachino Rossini and Manuel Garcia Sr
Scene B.2 - "Son disperato" (Plus d'Esperance) by Pauline Viardot

"Cendrillon" - Act I, Scenes 5b-12

Scene C.1: Dialogue - Manuel Garcia Sr and Pauline Viardot
Scene C.2: "Floris” by Pauline Viardot

"Cendrillon" - Act I, Scenes 13 & 14

Scene D.1: Dialogue Louis Viardot and Pauline Viardot
Scene D.2: "La Mésange” by Pauline Viardot

"Cendrillon" - Act II, Scenes 1-IIIa
____________________

PROJECT PAULINE ACT II:

Scene E.1: Dialogue - Johannes Brahms, Manuel Garcia Jr, and Gioachino Rossini

"Cendrillon" - Act II, Scene 3b

Scene E.2: "Les Cavaliers” by Pauline Viardot

Scene F.1: Dialogue - Pauline Viardot and Frédéric Chopin
Scene F.2 - "Separation” by Pauline Viardot

"Cendrillon" - Act II, Scenes 4 & 5

Scene G.1: Dialogue - Pauline Viardot, Louis Viardot, and Ivan Turgenev
Scene G. 2: "Chanson du Pecheur” by Gabriel Fauré
Scene G. 3: "L’Orage” by Pauline Viardot

"Cendrillon" Act III, Scenes 1 & 2

Scene H.1: Dialogue - Pauline Viardot, Maria Malibran, Manuel Garcia Sr, Johannes Brahms, Gioachino Rossini, Louis Viardot, Ivan Turgenev, Manuel Garcia Jr, Frédéric Chopin

"Cendrillon" - Act III, Scenes 3-6

THE END